![]() | ![]() | ![]() (From Old Corral collection) Above - Buffalo Bill Jr. (Jay Wilsey; 1896 - 1961) had the misfortune of starring in seven sound oaters for Horner. |
Above is a 1930 theater ad for one of Horner's early sound films, SOUTH OF SONORA (1930) with Buffalo Bill Jr. (Jay Wilsey), and is one of many lost / missing westerns. It played in a few theaters and trades reported that the negative was destroyed in a fire. Several months later, there was a release announcement ... perhaps they made prints prior to the fire: January 21, 1930 Exhibitors Daily Review and Motion Pictures Today: "The complete negative of 'South of Sonora', a five reel talker with Buffalo Bill, Jr., and Berry Joy ... were destroyed by a fire in the cutting room of the Photo-Kinema Film Laboratories in North Seward St. ..." July 16, 1930 Film Daily: "Robert J. Horner has completed direction of 'South of Sonora', featuring Buffalo Bill, Jr. This subject was produced by Gene Marcus and Dwain Esper. Horner will immediately start production on 'The Riding Kid from Arizona', the second of his own series of all-talking westerns. Jack Perrin will be featured." (That Riding Kid became THE KID FROM ARIZONA with Perrin.) |
![]() (From Old Corral collection) THE APACHE KID'S ESCAPE (Robert J. Horner, 1930) was another of Horner's early sound films and the photo inset shows Perrin with his trusty steed Starlight. Below is the title lobby card for Perrin's LARIATS AND SIX-SHOOTERS (Robert J. Horner, 1931) which is a lost / missing western. These were among the several that Jack Perrin did for Horner in 1930 - 1932 ... and Perrin had trouble getting all of his pay (see newspaper article on prior page). ![]() (Courtesy of Richard Harrison) ![]() (Courtesy of Jay Wilsey's granddaughter and daughter, Tamera Mankini and Frances Eldene Wolski) Above from left to right are Boris Bullock / William Barrymore (in vest), Duke Lee (suited man with the badge), George Chesebro, Genée Boutell and Buffalo Bill Jr. (Jay Wilsey) in a scene from Horner's THE WHIRLWIND RIDER (American Pictures, 1933). Genée Boutell and Wilsey were husband and wife. Barrymore / Bullock, Chesebro, and Wilsey did multiple films for Horner. ![]() (Courtesy of Les Adams) Above is a photo of a title lobby card showing Franklyn Farnum and Bill Cody in BORDER GUNS (Aywon, 1934), one of a trio of films that Cody did for Horner. ![]() (Courtesy of Ed Tabor) TEX TAKES A HOLIDAY (Argosy, 1932) was shot in "Multicolor", an early two-strip color process. Horner was the producer. The star was Wallace MacDonald (with light blue shirt and moustache above), and he had a brief fling in front of the camera before becoming a B film producer at Columbia Pictures. He also worked for Multicolor. The player with the handful of knives is Steve Clemento / Clemente, who was a knife-throwing expert. On the far right with the brown suit is George Chesebro. TEX TAKES A HOLIDAY (Argosy, 1932) is one of the lost / missing westerns. The December 13, 1932 Variety review of TEX TAKES A HOLIDAY was not kind to the film and color process. Excerpts: "In black and white this might have eased through as a second-grade western, but in color, it is very weak. It is wholly spoiled by about as poor an exhibition of bad color work as has been brought forward yet. On top of this, much of it seems to be slightly out of register, giving an out-of-focus effect." ; "It will not be in the running even in the minor houses." On a positive note, give Horner credit for trying color (in 1932). On the negative side, why did Horner even attempt to use an early color process on a dirt-cheap western in 1932? Les Adams did some sleuthing in his copies of Film Daily and found the answer: The 1932 Film Daily Yearbook has Wallace MacDonald, hero of TEX TAKES A HOLIDAY, as the sales manager for Multicolor, Ltd. (700 Romaine St.). Robert J. Horner shared the following with Multicolor Productions - location, address and telephone number - Cinephone Studios, 4376 Sunset Drive, OLympia 8701. So did Burton King. And Harry S. Webb and Flora E. Douglas and Cliff Broughton Productions. And Thrillo-dramas and United Producers, Ltd and Action Pictures. In the 1937 Film Daily Product Guide and Directors' Annual, Horner is the president of two companies, Roadshow Classics and American Pictures Corp., and he was still using that 4376 Sunset Drive, Hollywood address.
![]() (Courtesy of Ed Tabor) Above are Wallace MacDonald with heroine Virginia Brown Faire in another lobby card from TEX TAKES A HOLIDAY (Argosy, 1932). |
![]() | ![]() | ![]() (Courtesy of Les Adams) ![]() Edna Aselin / Aslin |
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![]() (Courtesy of Les Adams) | ![]() (Courtesy of Les Adams) Left is a poster included in the pressbook for Horner's THE PHANTOM COWBOY (Aywon, 1935). The pressbook also had the above glowing description of the film. Got a chuckle from the comment that "Nathan Hirsh, president of the Aywon company directed Robert J. Horner to spare no expense ...". |
![]() (From Old Corral collection) | ![]() | Left is Ted Wells (John Oscar Wells; 1899 - 1948) who was "Pawnee Bill, Jr." in Horner silents and star of THE PHANTOM COWBOY (Aywon, 1935) and the lost / missing DEFYING THE LAW (Aywon, 1935). Wells continued doing films but found himself relegated to bit/support roles as well as doubling and stunt work in westerns and serials ... and he was a frequent double for William Boyd in the Hopalong Cassidy adventures (stuntman Cliff Lyons also doubled Boyd in the Hoppy films). |
![]() | ![]() | Robert J. Horner SOUND westerns only Titles listed in red are lost / missing westerns. Special thanks to Les Adams for providing this filmography |
Date | Title | Company | Producer | Director | Writer(s) | Star | Leading Lady |
5/1/30 | CHEYENNE KID, THE | Cosmos/ West Coast |
Robert J. Horner | Jacques Jaccard | Jacques Jaccard and Yakima Canutt | Buffalo Bill, Jr. | Joan Jaccard |
7/1/30? | SOUTH OF SONORA | Cosmos/ West Coast |
Dwain Esper and Gene Marcus (and Horner?) | Robert J. Horner or Jacques Jaccard | Jacques Jaccard and Yakima Canutt | Buffalo Bill, Jr. | Joan Jaccard |
11/22/30 | APACHE KID'S ESCAPE | Cosmos/ West Coast |
Robert J. Horner | Robert J. Horner | Robert J. Horner | Jack Perrin | Josephine Hill |
2/15/31 | TRAILS OF THE GOLDEN WEST | Cosmos/ West Coast |
Robert J. Horner | Leander De Cordova | L. V. Jefferson | Buffalo Bill, Jr. | Wanda Hawley |
3/8/31 | WILD WEST WHOOPEE | Cosmos/ West Coast |
Robert J. Horner | Robert J. Horner | Robert J. Horner | Jack Perrin | Josephine Hill |
4/12/31 | PUEBLO TERROR , THE | Cosmos/ West Coast |
Robert J. Horner | Alvin J. Neitz (Alan James) | L. V. Jefferson | Buffalo Bill, Jr. | Wanda Hawley |
5/10/31 | KID FROM ARIZONA, THE | Cosmos/ West Coast |
Robert J. Horner | Robert J. Horner | Robert Walker and Robert J. Horner | Jack Perrin | Josephine Hill |
6/14/31 | SHERIFF'S SECRET, THE | Cosmos/ West Coast |
Robert J. Horner | James Hogan | James Hogan | Jack Perrin | Dorothy Bauer |
10/25/31 | LARIATS AND SIX-SHOOTERS | Cosmos/ West Coast |
Robert J. Horner | Alvin J. Neitz (Alan James) | Carl Krusada | Jack Perrin | Ann Lee |
2/1/32 | RIDERS OF GOLDEN GULCH | Cosmos/ West Coast |
Robert J. Horner | Clifford Smith | Yakima Canutt | Buffalo Bill, Jr. | Mary Dunn |
2/5/32 | 45 CALIBRE ECHO | Cosmos/ West Coast |
Robert J. Horner | Bruce Mitchell | Carl Krusada | Jack Perrin | Elinor Fair |
12/2/32 | TEX TAKES A HOLIDAY | Argosy Productions | Robert J. Horner | Alvin J. Neitz (Alan James) | Robert Walker and Alan James | Wallace MacDonald | Virginia Brown Faire |
4/1/33 | WHIRLWIND RIDER, THE | American Pictures | Robert J. Horner | R. J. Renroh (alias for Robert J. Horner) | Royal Hampton (is this Horner?) | Buffalo Bill, Jr. | Jeanne (Genee) Boutel |
5/1/33 | TRAILS OF ADVENTURE | American Pictures | Robert J. Horner | Jay Wilsey (Buffalo Bill, Jr.) | Donald Kent | Buffalo Bill, Jr. | Edna Aselin (Aslin) |
2/1/34 | BORDER GUNS | Aywon Pictures (A-1) |
Nathan Hirsh & Robert J. Horner | Robert J. Horner | Oliver Drake | Bill Cody | Janet Morgan (Blanche Mehaffey) |
4/1/34 | BORDER MENACE, THE | Aywon Pictures (A-1) |
Nathan Hirsh & Robert J. Horner | Jack Nelson | Robert J. Horner | Bill Cody | Miriam Rice |
5/1/34 | WESTERN RACKETEERS | Aywon Pictures (A-1) |
Nathan Hirsh & Robert J. Horner | Robert J. Horner | James P. Hogan | Bill Cody | Edna Aselin (Aslin) |
6/16/34 | RACKETEER ROUND-UP (re-issued with added footage as GUNNERS AND GUNS) | H & H | Charles Hirsch & Robert Hoyt (Horner?) | Robert Hoyt (Horner?) | Eddie Davis and Ruth Runnell | Edmund Cobb | Edna Aselin (Aslin) |
8/22/35 | GUNNERS AND GUNS (RACKETEER ROUND-UP with added footage of Black King, the horse) | Beaumont Pictures, Inc. | Mitchell Leichter | Jerry Calahan | J. S. Burrows and Martin Eldridge | Edwin Cobb (Edmund Cobb) | Edna Aselin (Aslin) |
2/1/35 | PHANTOM COWBOY, THE | Aywon Pictures (A-1) |
Nathan Hirsh & Robert J. Horner | Robert J. Horner | Carl Krusada | Ted Wells | Doris Brook |
5/1/35 | DEFYING THE LAW | Aywon Pictures (A-1) |
Nathan Hirsh & Robert J. Horner | Robert J. Horner | Carl Krusada | Ted Wells | Edna Aslin |
From Les Adams: it's possible that something called THE TIA JUANA KID with Pat Carlyle and Bobby Nelson (circa 1935, if it ever got released) came out of Horner's camp. |